Wednesday, May 15, 2024

Gentlemen's Disagreement: A Flashing Blades Sample Duel

What follows is not an adventure log or actual play account of our game; rather, it's a sample duel showcasing the Flashing Blades combat rules for new or prospective players. A narrative of the combat is interspersed with text describing the rules behind the action. I posted this to my campaign wiki years and years ago, but due to Obsidian Portal's continuing unscheduled disassembly of my wiki, I'm moving it here for safekeeping.

The action takes place in a Marchois inn on a rainy day in May 1625
. . .

“You are a cheat, monsieur. Now stand, if you’re a man.”

It’s not the words that catch Louvigny‘s attention, but rather the sudden stillness which follows them, broken only by the sound the rain falling outside the inn. Across the common room, a gentilhomme in a slashed doublet of scarlet velvet stands with his rapier pointed at Ferusac’s throat across a table strewn with coins and cards. The Gascon’s face betrays no emotion beyond its usual wry indifference, but Louvigny notes that his fellow Musketeer’s eyes are alight as he pushes his chair back, scraping along the clay tiles, and slowly rises.

“Take your satisfaction, monsieur,” Ferusac growls as he draws his broadsword with one hand and sweeps off his hat with the other, “if you can.”
First, let’s meet our combatants. Ferusac, the King’s Musketeer, is trained in the French and cavalry styles of fencing; the veteran soldier is also trained in the use of firearms and brawling. His Expertise is 18 with his longsword and his flintlock pistols, or while brawling; his pistols are in the saddle-holster on his horse in the inn’s stables, however, and unavailable to him.

Ferusac’s Expertise of 18 gives him a base chance to hit of 14 (4.31 Base Chance to Hit). His longsword (more properly, a basket-hilted braodsword) modifies his chance to hit by + 1 (4.32, Hand Weapons and Unarmed Attacks). His chance to hit is 14 + 1 = 15. He is using his hat to parry, which provides a + 2 modifier (4.41 The Parry, (e) The French Style). His chance to parry is 14 + 2 = 16. His armor consists of a leather jerkin protecting his chest and flank and boots protecting his legs; his gauntlets were removed during the card game and remain tucked in the sash around is waist. Ferusac has Strength 12, Endurance 15, and a Stocky build, giving him 15 Hit Points (3.1 DETERMINING ATTRIBUTES).

D’Aiglet, the scarlet-clad nobleman, is trained in the Spanish style; a hunter, he is also skilled in the use of firearms. His Expertise is 14 with his rapier and 10 with the wheelock dueling pistol concealed in the sash beneath his cape.

D’Aiglet’s Expertise of 14 gives him a base chance to hit of 11. He rapier modifies his chance to hit by + 2. His chance to hit is 11 + 2 = 13; trained in the Spanish style, he gains an additional + 1 to slash attacks (3.51 Martial Skills, Dueling, (1) Spanish Style), giving him a chance to hit 13 + 1 = 14 on a slash. He does not use an off-hand parrying weapon; his rapier provides him with a +1 modifier to parry (4.41 The Parry, ( c ) Weapon Parry Bonus). His chance to parry is 11 + 1 = 12. His armor consists of a padded doublet protecting his chest and flank, padded sleeves protecting his arms, and padded breeches and boots protecting his legs; like Ferusac, his gauntlets were removed for the card game and lie on the table. D’Aiglet receives no bonuses to his hit points from his attributes and has a Thin build, giving him just 9 Hit Points.
Each man offers a salute, the gentleman, one d’Aiglet by name, adding a mocking sneer as well, then both come on guard. D’Aiglet stands tall, offering a lean silhouette behind his outstretched sword arm; the bulkier Ferusac drops into a crouch, broadsword angled before him, hat held close to his chest.

D’Aiglet suddenly slashes at Ferusac, the tip of his rapier a streak in the light, but Ferusac sweeps the blade away with his hat and thrusts his sword on a low line, which d’Aiglet just manages to parry. The noble’s brow furrows slightly as he recovers.
Combatants with rapiers and longswords attack on the same count in the order of attack, but d’Aiglet’s Dexterity is higher than Ferusac’s so he strikes before the Musketeer (4.2 TURN SEQUENCE, (2) ATTACK). D’Aiglet chooses to Attack and Parry; he attacks with a slash aimed at Ferusac’s head – clearly he wants to kill his man – and he anticipates Ferusac will thrust. Ferusac chooses to Parry and Counter; he expects d’Aiglet will slash and counters with a thrust in return, aimed at the nobleman’s abdomen.

D’Aiglet must roll a 14 or less on D20 to hit (4.21 Base Chance to Hit); he rolls a 6, indicating a hit. Ferusac base chance to parry is 16 or less on D20 (4.41 The Parry); , he successfully anticipated d’Aiglet’s attack and gains a + 3 modifier to parry (4.41 The Parry, (a) The Type of Attack) but suffers a – 2 modifier from attempting to parry a rapier (4.41 The Parry, (b) Attacker’s Weapon Attack Bonus). Ferusac must roll 17 or less on D20 to parry; he rolls a 14, and parries d’Aiglet’s slash.

Because d’Aiglet’s attack was unsuccessful, Ferusac may now counterattack and gains an extra + 1 modifier to hit (4.2 TURN SEQUENCE, (4) COUNTER). Ferusac hits on a roll of 16 or less (15 to hit + 1 counterattack); he rolls a 9, indicating a hit. D’Aiglet normally parries on a roll of 12 or less; he guessed Ferusac’s attack and gains a + 3 modifier, but Ferusac’s longsword reduces this by – 1, and as Ferusac’s Expertise is greater than that of d’Aiglet, he suffers an additional modifier to parry of one-half the difference in their respective Expertise (4.41 The Parry, (d) Expertise), or – 2 (18 – 14 = 4; 4 ÷ 2 = 2). D’Aiglet needs to roll a 12 or less to parry; he rolls an 11 and parries – barely – Ferusac’s thrust.

There is a chance that d’Aiglet’s sword breaks when he parries Ferusac’s blade (4.42 Weapon Breakage). The chance equals 1 plus the difference in weapon strengths between the attacker and the defender. Ferusac’s longsword has a strength of 3 while d’Aiglet’s rapier has a strength of 2, yeilding a difference of 3 – 2 = 1. The chance of the rapier breaking is 1 + 1 = 2 or less on D6; d’Aiglet’s roll is a 6.
Louvigny watches as Ferusac allows a hint of grim smile to appear on his face, while beads of sweat sprout from d’Aiglet’s forehead. D’Aiglet viciously drives the tip of his blade at Ferusac’s throat, but again the Gascon sweeps the rapier aside with his battered, rain-stained hat and slashes with his sword, striking d’Aiglet’s sword arm. The nobleman cries out as blood stains his white silk shirt and his rapier clatters to the tiles.
D’Aiglet chooses to Attack and Parry once again, thrusting his sword at Ferusac’s head this time; he anticipates a thrust from the Musketeer once again. Ferusac chooses to Attack and Parry as well, slashing at d’Aiglet’s abdomen while preparing for a lunge from the nobleman.

D’Aiglet needs to roll 13 or less to hit with a thrust; his roll is 6, indicating a hit. Ferusac didn’t guess d’Aiglet’s attack correctly; his chance to parry this attack is 16 – 2 = 14; his roll is 12, parrying d’Aiglet’s thrust with his hat, in the French style.

Ferusac’s attack succeeds on 16 or less - 14 to hit + 1 longsword + 1 slash, due to his knowledge of cavalry style dueling; his roll is 4, hitting d’Aiglet. D’Aiglet doesn’t anticipate Ferusac’s slash, so his chance to parry drops to 12 – 1 – 2 = 9; his roll is 16, and d’Aiglet fails to parry Ferusac’s slash. The Musketeer’s attack was aimed at d’Aiglet’s abdomen, and two D20s are rolled to determine where the blow landed (4.52 Hit Locations); the rolls are 3 and 5, resuling in a hit on d’Aiglet’s right arm instead. A slash from a longsword does 2 points of damage (4.53 Weapon Damage) on a light wound, but because Ferusac’s roll was less than one-half the number needed to hit, it’s a serious wound causing an additional 1D6 damage (ibid.); the additional damage roll is 5, causing 2 + 5 = 7 points of damage. D’Aiglet’s padded sleeves protect him from 1 point of damage (4.54 Armor), reducing the damage to 6 points to the noble’s right arm. Because the damage exceeds one-half of d’Aiglet’s overall hit points, his right arm is rendered useless for 1 to 6 days (4.55 Effects of Damage); a useless arm cannot be used to hold a weapon, parry, or grip, so d’Aiglet immediately drops his rapier.
D’Aiglet staggers backwards, clutching his limp sword arm, his face contorted with pain and hate as his gaze flashes from his wounded limb to the Musketeer standing before him. A smirk twists one corner of Ferusac’s mouth as he returns the nobleman’s gaze over the point of his sword. “Had enough?” the Gascon growls.

The nobleman’s eyes bulge from a face red with fury. “André!” he screams through spittle-flecked lips, “kill this dog!”

Louvigny sees movement in a shadowy corner of the room, opposite the roaring fireplace. A man, one of three at seated around a table, rises. He is not tall, but his arms and neck are thickly corded where they emerge from his leather jerkin. From a scabbard at his waist he draws an enormous hanger and advances toward Ferusac, the broad blade glinting in the firelight.

The innkeeper, his apron twisted in his hands, speaks up. “Monsieurs, please,” he begins, but d’Aiglet shoots him a look like daggers and the innkeeper falls silent as André waves him back with his sword.

At this, Louvigny rises as well, addressing himself to d’Aiglet. “Monsieur,” he says in a strong, clear voice, "your challenge has been met. You risk dishonor – " Before he can finish, d’Aiglet whirls toward him and barks, “This is none of your affair!” and André looks back at his companions at the table in the shadows. “Bernardo! Biscotti! Help this fancy find his seat,” he orders, and with a quick glance at one another, they rise. Louvigny observes one of the wretches, with a scraggly beard and mustache, draw a long dagger from the top of a muddy boot while the other, with a drooping mustache, plucks an empty wine bottle from the table and shatters it on the edge, leaving the broken end in one hand and his ceramic mug in the other.

The pair advance on Louvigny, and the young Musketeer licks lips gone suddenly dry as he draws his rapier and main-gauche.
Now let’s meet the rest of our combatants. Louvigny, another Musketeer, is trained in the French fencing style; he is also skilled in the use of firearms and polearms. His Expertise is 15 with his rapier.

Louvigny’s Expertise of 15 gives him a base chance to hit of 12 or less. He rapier modifies his chance to hit by + 2. His chance to hit is 12 + 2 = 14 or less. He uses a main-gauche, an off-hand parrying weapon; the main-gauche provides him with a +3 modifier to parry. His chance to parry is 12 + 3 = 15. Louvigny’s armor consists of a padded doublet protecting his chest and abdomen, padded sleeves and gauntlets protecting his arms, and padded breeches and boots protecting his legs. The Musketeer receives no bonuses to his hit points from his attributes and has a Average build, giving him 10 Hit Points.

André, d’Aiglet’s gamekeeper, is trained in Old Style fencing and brawling; his Expertise is 12 with his cutlass (hanger, a hunting sword) and 14 for purposes of brawling attacks.

The gamekeeper’s Expertise of 12 gives him a base chance to hit of 10 or less; his cutlass provides a + 1 modifier to hit, giving him a chance to hit of 10 + 1 = 11 or less. The cutlass provides no bonus to parry, so his chance to parry is equal to his base chance to hit, 10 or less. André’s armor consists of a leather jerkin protecting his chest and abdomen and boots protecting his legs. He recieves bonuses of + 1 for his Strength, + 3 for his Endurance, and + 1 for his Stocky build, giving him a total of 15 Hit Points.

Bernardo and Biscotti, d’Aiglet’s grooms, are each trained in Old Style fencing and brawling; Bernardo’s expertise with his dagger is 11, and both men have Brawling Expertise of 12.

Bernardo’s Expertise of 11 gives him a base chance to hit of 9 or less; his dagger provides no modifier, giving him a chance to hit of 9 or less. The dagger also provides no bonus to parry Bernardo paries on a 9 or less as well. Biscotti’s Brawling Expertise of 12 gives him a base chance to hit of 10 or less; his wine bottle, a Brawling weapon, provides a modifier of – 1, giving him a chance to hit of 9 or less. Neither man wears armor, and they receive no modifiers for attributes or Normal build, giving each man 10 Hit Points.
Ferusac tosses aside his hat and snatches up his cloak from the back of his chair, swinging it once around his arm as André advances. Each swordsman feints, trying to draw out his opponent, but neither commits to an attack as they watch one another other warily.

Louvigny comes en garde as the two ruffians approach, trying to flank him. He aims a sharp thrust at the man with the gleaming dagger held before him and is rewarded with a cry of pain. Then Louvigny gasps, his insides exploding in white-hot fire as the other wretch’s wooden clog strikes him in the groin.
Both Ferusac and André choose to Parry and Counter; since neither attacks, the opportunity to counter is lost.

Louvigny chooses to Attack and Dodge, giving himself the opportunity for a Reaction Parry (4.41 The Parry, (f) Reaction Parry) against Bernardo’s dagger and a chance to avoid Biscotti’s bottle; he aims a thrust at Bernardo’s chest, anticipating a thrust in response. Bernardo chooses to Parry and Counter, thrusting at Louvigny’s head; he anticipates a thrust from Louvigny. Biscotti first throws the contents of his wine-mug in Louvigny’s face, then aims a Vicious Kick at the Musketeer.

Louvigny’s attack succeeds on a roll of 14 or less; his roll is 9, a hit. Bernardo attempts to parry the attack; his chance to parry is 9 or less, with a + 3 modifier for guessing Louvigny’s attack correctly but a -2 against the rapier and – 2 for the difference in Expertise, giving him an actual chance to parry of 8 or less, Bernardo’s roll is 15, and the rapier thrust strikes; as Louvigny’s attack succeeds, Bernardo’s attempt to counter is lost. Louvigny aims for Bernardo’s flank; he rolls a 2 and 10 for hit location, resulting in a light wound – 2 points of damage – to Bernardo’s chest. The wound has no other effect.

Biscotti goes straight to dirty fighting. Biscotti aims a Vicious Kick (4.73 Dirty Fighting, Vicious Kick) at Louvigny’s groin. The groom’s Brawling Expertise 12 gives him a base chance to hit of 10 or less; a Vicious Kick requires an additional modifier of – 2 to hit, and Louvigny’s Dodge provides a modifier of – 3 to the attack, giving Biscotti chance to hit of 10 – 2 – 3 – 5 or less to hit. His roll is a 4; Louvigny suffers 1 point of damage and is stunned, losing all remaining actions in this round and may only take one action in the next round (4.55 Effects of Damage).
On the other side of the common room, André abruptly rushes forward, lunging at Ferusac with the hanger as he passes. The Gascon whips his cloak at the blade too late; the sword’s edge slices through Ferusac’s leather jerkin and bites into the skin below his left arm, and he staggers back, grunting through gritted teeth.

Louvigny struggles to regain his balance as pain courses through his body. He slashes wildly at his tormentor, missing badly as Biscotti jabs him in the ribs with the broken wine bottle. Bernardo attempts to thrust his dagger under Louvigny’s chin, but he slips on spilled wine on the tile and the blow is lost as he struggles to recover.
Ferusac once again chooses to Parry and Counter, anticipating a slash from the gamekeeper and thrusting at his flank in return. Instead of slashing, however, André lunges, a long action, eschewing defense for an all-out attack.

André hits on 11 or less; he rolls a 7, scoring a hit. Ferusac attempts to parry with his cloak, which provides a + 2 modifier (4.41 The Parry, (e) The French Style) against the gamekeeper’s cutlass, which provides a – 1 modifier; he parries on a roll of 14 + 2 – 1 = 15. He rolls is 17, failing to parry the lunge. André’s cutlass is aimed at Ferusac’s head; his rolls for hit location are 6 (chest) and 18 (right leg), resulting in a light wound to the chest. The cutlass does 4 points of damage on a lunge; André’s Strength 17 meets the Advantageous Strength bonus for a cutlass, giving him + 1 point of damage (4.53 Weapon Damage), for a total of 4 + 1 = 5 points of damage to Ferusac. The Gascon’s leather jerkin absorbs 2 points of damage, leaving him with three points of damage from the blow; there are no other effects from this damage.

Because André’s attack succeeds, Ferusac loses his counterattack.

Louvigny gets only one action in this round, and he chooses to use it on a slash at Biscotti’s chest; he gets no defense against either Bernardo or Biscotti, but he may still make a Reaction Parry against Bernardo’s dagger, anticipating a slash. Bernardo chooses to Attack and Parry with his dagger, aiming a thrust at Louvigny’s head and anticipating a thrust in return; Biscotti chooses to Attack and Dodge, aiming a strike with the broken bottle at Louvigny’s head.

Louvigny’s chance to hit is modified by – 3 from Biscotti’s dodge defense, resulting in a 14 – 3 = 11 chance to hit; his roll is 18, a miss. Bernardo’s chance to hit with his dagger is 9 or less; his roll is 20, a miss and a possible Fumble (4.72 Fumbles). A roll of D6 on the Fumble with Hand Weapons table results in a slip; Bernardo can take no other actions this round. Biscotti’s chance to hit with the broken bottle is 9 or less; his roll is 9, resulting in a hit. His rolls on the hit location table are 7 and 11; he strikes the chest with the bottle, causing two points of damage. Louvigny is wearing a padded doublet, which absorbs 1 point of damage; he takes 2 – 1 = 1 point of damage from the attack.
Ferusac bares his teeth in a devilish grin as André presses his advantage, slashing at the Gascon with the hanger. The flashing blade whistles past Ferusac, who then whips his cloak over André’s head and shoulders. The gamekeeper, disoriented, roars in anger as he struggles to free himself from the folds of the garment.

Across the room, Louvigny springs forward, lunging at Biscotti, driving the point of his sword into the man’s flank as he passes. The groom recoils in pain, all thoughts of attack lost as a handspan of steel enters his abdomen. Bernardo slashes at Louvigny with his dagger, but the Musketeer catches the blow on his main-gauche and turns it aside before it can find his flesh.
Ferusac prepares to Parry and Counter once again, expecting a slash and preparing to entangle André in his cloak. André chooses to Attack and Parry, expecting a thrust while slashing at Ferusac’s head.

André hits on 11 or less; he rolls a 12, missing. Ferusac does not need to roll to parry, but because André missed, he may counter. Ferusac attempts to Entangle (4.74 Special Attacks, ENTANGLE) André with his cloak; first he must succeed in an attack with a roll of 14 or less; his roll is 12. André may attempt to avoid the cloak by rolling less than his Dexterity – 3; the gamekeeper’s Dexterity is 9, so he must roll 9 – 3 = 6 or less. André’s roll is 8, and he is entangled in Ferusac’s cloak; the gamekeeper loses all of his actions next turn.

Louvigny chooses to lunge, a long action, at Biscotti this turn; he is allowed a Reaction Parry against Bernardo’s dagger, anticipating a thrust. Bernardo chooses to Attack and Parry, slashing at Louvigny’s head; Biscotti plans another Vicious Kick and Dodges Louvigny’s attack.

Louvigny’s chance to hit is modified by – 3 from Biscotti’s dodge defense, resulting in a 14 – 3 = 11 chance to hit; his roll is 10, a hit. The Musketeer’s attack is aimed at Biscotti’s flank; he rolls 6 (chest) and 15 (flank), striking the flank. The lunge causes 4 points of damage; the groom wears no armor and takes all 4 points of damage and he is stunned by the attack, losing all actions this turn and limiting him to one action next turn.

Bernardo hits on a 9 or less with his dagger slash at Louvigny; his roll is 4, a hit. Louvigny is allowed a Reaction Parry to the attack and anticipates a thrust; he normally parries on 15 or less and there is no modifier for parrying a dagger, but because this is a reaction parry, the modifier is – 6, giving him the chance to parry on 15 – 6 = 9 or less. Louvigny’s roll is 9; he parries the attack, but only just. Because the main-gauche is weapon strength 2 and the dagger is strength 1, there is no chance the main-gauche breaks from the parry.
As André fights his way out of the folds of the cloak, Ferusac performs a flèche, lunging past the gamekeeper and slipping a handspan of his blade under André’s ribs. The latter groans in pain and anger.

Again Bernardo attacks with his dagger, low this time, the point jabbing toward Louvigny’s guts. The Musketeer, sensing an opportunity, parries in septime, than twists his main-gauche hard against Bernardo’s blade. The dagger slips from the groom’s hand and clatters to the floor. A tight smile appears on the Musketeer’s face.
André can take no action this turn after being entangled in Ferusac’s cloak, so Ferusac opts to lunge; André can attempt a reaction parry, however, as it is not an action.

Ferusac’s lunge succeeds on 15 or less; his roll is 6, a hit. The gamekeeper attempts a reaction parry, anticipating a lunge; he parries normally on a 10 or less, but this is modified – 1 for Ferusac’s longsword, – 3 for the difference in Expertise between the two swordsmen, – 6 for the reaction parry, and + 3 for anticipating Ferusac's lunge, reducing his chance to 10 – 1 – 3 – 6 + 3 = 3 – he rolls a 12 and fails to parry. Ferusac aims for André’s chest; the rolls are 19 (left leg) and 13 (flank), so the lunge strikes André’s chest instead. The longsword normally causes 4 points of damage on a lunge, but 6 is less than one-half 15, a serious wound causing an additional 1D6 points of damage; Ferusac’s damage roll is a 4, causing 4 + 4 = 8 points of damage. the gamekeeper’s leather jerkin reduces the damage by 2, so the actual damage is 8 – 2 = 6 points of damage. André is stunned as well; he may only take one action in the following turn.

Louvigny chooses to Parry and Counter this turn; he anticipates a lunge and will attempt to disarm Bernardo. Bernardo chooses to Attack and Parry; he thrusts his dagger at Louvigny’s flank and expects Louvigny to lunge. Biscotti is limited to one action this turn; expecting Louvigny to lunge at him again, he chooses to Sidestep as his defense.

Bernardo’s attack hits on a 9 or less; his roll is 2, a hit. Louvigny parries with his main-gauche, allowing him to parry on 15 or less; his roll is 4, and he parries the thrust. Now he attempts to Disarm Bernardo ((4.74 Special Attacks, DISARM); Louvigny’s main-gauche is weapon strength 2 and Bernardo’s dagger weapon strength 1, so the disarm may be attempted. Each combatant makes a resistance roll (3.4 USING SKILLS) against his Expertise. Louvigny rolls 6, which is 15 – 6 = 9 less than his Expertise; the 9 is subtracted from Bernardo’s Expertise 11, meaning the groom must roll 11 – 9 = 2 or less to prevent the disarm. His roll is 12, so Bernardo is disarmed.
André coughs as he recovers, red foam flecking his lips, and Ferusac presses his advantage, lunging again, but the gamekeeper is ready this time, kicking the Gascon’s feet out from under him and sending him crashing to the floor.

Across the room, Louvigny slashes at Biscotti again, his blade a glittering line trailing a spray of blood as it connects with the groom’s chest. Biscotti’s eyes roll back and he collapses like a rag doll, the remains of the broken bottle shattering on the clay tiles. At the same moment, Bernardo crashes into the Musketeer, intent on bearing him to the floor, but somehow Louvigny keeps his feet under him and pushes the groom back.
Ferusac wants to end the fight, so he lunges again, trying to score as much damage as he can; he will trust to a reaction parry if André attacks. But André isn't prepared to give up the fight, trusting in a reaction parry as well and attempting to Trip Ferusac.

Ferusac’s lunge hits on a roll of 15 or less; he rolls a 16 and misses. André can now counter with a Kick in order to Trip (4.73 Dirty Fighting, TRIP) the Musketeer. André’s kick gets a + 3 modifier; his Brawling attacks hit on a roll of 11 or less, and with the modifier the attacks hits on a roll of 11 + 3 = 14 or less. The gamekeeper’s roll is 10, the trip is successful, and Ferusac falls to the floor, stunned.

Expecting Bernardo to spend the turn recovering his dagger, Louvigny chooses to Attack and Dodge, slashing at Biscotti’s flank again. Biscotti again chooses a Vicious Kick and Dodges while Bernardo ignores his lost dagger and instead attempts to Tackle Louvigny, a long action.

Louvigny’s chance to hit is modified by – 3 from Biscotti’s dodge defense, resulting in a 14 – 3 = 11 chance to hit; his roll is 5, a hit. The blow is aimed at Biscotti’s flank, and the location rolls are 4 (right arm) and 9 (chest); the slash strikes Biscotti’s chest, as it is closest to the flank. A slash from a rapier does 2 points of damage, but Louvigny’s roll of 5 is less than half the chance to hit, so an additional 1D6 damage is added; the roll is 2, causing 2 + 2 = 4 points of damage. Biscotti now has cumulative 8 points of damage to his chest and flank; he is rendered unconscious for 1 to 6 hours by the blow (4.55 Effects of Damage, CHEST or FLANK).

Bernardo tried to tackle (4.53 Weapon Damage, UNARMED ATTACKS, Tackle) Louvigny; he plans to Grapple and Choke (4.73 Dirty Fighting, CHOKE) the Musketeer on the next turn. The groom’s Brawling Expertise 12 gives him a base chance to hit of 10 or less; his roll is 11, and he misses.
All thoughts of his own wound forgotten, André bellows as he stomps his foot down on the fallen Ferusac. The Gascon groans as the gamekeeper’s boot smashes into his ribs, and Ferusac rolls over and staggers to his feet.

Louvigny thrusts his rapier at Bernardo, but the groom leaps backwards, beyond the reach of the Musketeer’s blade.
André chooses to Stomp (4.73 Dirty Fighting, STOMP) Ferusac while the latter is on the floor. André’s kick gets a + 3 modifier; his Brawling attacks hit on a roll of 11 or less, and with the modifier the attacks hits on a roll of 11 + 3 = 14 or less. The gamekeeper’s roll is 2, a hit causing a serious wound. Because André’s Strength is greater than 16, the kick does 3 points of general damage with an additional + 1 point of damage for a successful stomp, causing 3 + 1 = 4 points of general damage to Ferusac. Ferusac must also make a resistance roll between his Endurance 15 and André’s Strength 17 to avoid beind stunned (4.53 Weapon Damge, UNARMED ATTACKS, Kick). André’s roll is 13, which results in a modifier of 13 – 17 = -4 to Ferusac’s Endurance check. Ferusac must roll 15 – 4 = 11 or less to avoid being stunned by the stomp; he rolls 9, so he is not stunned by the attack. Ferusac has now taken three points of damage to his chest and four points of general damage; he has eight hit points remaining.

Louvingy chooses to Attack and Dodge, aiming a thrust at Bernardo’s flank; Bernardo chooses to Step Back, a long action, so Louvigny’s attack cannot reach him.
Exultant, André swings his hanger in a wide arc at Ferusac’s head, hoping to score a killing blow, but the Gascon sweeps the blade aside with his cloak and thrusts his longsword past the gamekeeper’s parry into André’s guts, under the bottom edge of the his jerkin. André staggers, his eyes uncomprehending at the sight of crimson blood staining his woolen breeches; the hanger slips from his hand and falls to the tiles with a loud clang as André sinks to the floor with a groan and lies still.

Louvigny advances cautiously, prepared to thrust his sword at the groom, but the fight is gone out of Bernardo, and he leaps back again, angling toward the door of the inn.
Ferusac returns to his earlier tactic of Parry and Counter; he anticipates a slash from André and prepares to counter with a thrust to the flank. André chooses to Attack and Parry, aiming a slash at Ferusac’s head and expecting a lunge from the Gascon. André hits on 11 or less; he rolls a 5, scoring a hit. Ferusac attempts to parry with his cloak, which provides a + 2 modifier, against the gamekeeper’s cutlass, which provides a – 1 modifier; he parries on a roll of 14 + 2 – 1 = 15. His roll is 6, parrying the slash. Because André’s blow was parried, Ferusac may counter. Ferusac’s thrust succeeds on 15 or less; his roll is a 1, an automatic hit that bypasses armor (4.54 Armor). The gamekeeper attempts to parry; he parries normally on a 10 or less, but this is modified – 1 for Ferusac’s longsword and – 3 for the difference in Expertise between the two swordsmen; André’s chance to parry is 10 – 1 – 3 = 6 or less. His roll is 9; he doesn’t parry the attack. Ferusac aims for the flank, and he rolls to determine the hit location; his rolls are 11 (left arm) and 14 (flank), resulting in a serious wound on the flank. A thrust normally causes 2 points of damage, but serious wounds get an additional 1D6 damage; Ferusac rolls a 3, causing 2 + 5 = 7 points of damage. Because the attack roll was a 1, none of the damage is reduced for André’s armor. André now has 6 + 7 = 13 cumulative points of damage to his flank; this is more than one-half his total hit points of 15, so he is rendered unconscious by the blow for 1 to 6 hours.

Louvigny again chooses to Attack and Dodge, but Bernardo wants to make good his escape; the groom chooses to Step Back again, and by successfully stepping back on two consecutive turns, he is now disengaged from the fight with Louvigny.
The remaining groom dashes for the door of the inn and disappears into the pouring rain outside the inn. Both Ferusac and Louvigny suddenly realize that one man remains standing: d’Aiglet. The noble’s face is pale, his red eyes fixed on Ferusac as he aims a pistol in a shaking hand at the Gascon.

“Die, you cur!” he screams in fury. The wheellock whirrs and with a loud crash and gout of flame and smoke the pistol discharges.
Finally, missile weapons. D’Aiglet’s Expertise is 10 with the pistol, giving him a base chance to hit of 8 or less; because the pistol is a wheellock, d’Aiglet receives an additional + 1 modifier to hit (4.33 Missle Weapon Attacks, (a)), making the chance to hit 8 = 1 = 9. Because of the earlier wound to his right arm, however, d’Agilet is forced to fire with his off-hand, incurring a modifier of – 3 (4.33 Missle Weapon Attacks, ( c )); this makes his chance to hit 9 – 3 = 6. Finally, the range is Close (4.33 Missle Weapon Attacks, (b)), granting a modifier of + 3; d’Aiglet’s chance to hit is 6 + 3 = 9 or less. His roll is 8, a hit. D’Aiglet aims for the head, and the hit location rolls are 16 (flank) and 20 (left leg); Ferusac is hit in the flank by the pistol ball. The ball causes 2 points of damage; armor only saves one-half the normal amount against firearms (4.54 Armor), so Ferusac’s leather jerkin reduces the damage by 1 instead of 2, resulting in 1 point of damage.
Ferusac winces as the ball strikes him. His arm swings outward and his broadsword sails through the air, catching d’Aiglet in the shoulder. The nobleman gives a strangled cry, and falls to the ground.
Ferusac throws his sword at d’Aiglet. His base chance to hit is 14 or less, modified by – 1 at close range, making his chance to hit 14 – 1 = 13 or less; his roll is 6. Ferusac aims for d’Aiglet’s chest; his rolls for hit location are 5 (right arm) and 17 (right leg), so the wound is to d’Aiglets’s right arm. A thrown longsword normally causes two points of damage, but the wound is serious, resulting in an additional 1D6 damage; Ferusac’s roll is 1, causing 2 + 2 = 3 points of damage. D’Aiglet’s padded sleeves, however, reduce the damage by – 1, so the final damage is 3 – 1 = 2 points. As d’Aiglet only has two hit points remaining, he is reduced to zero and falls unconscious for 1 to 6 hours.

As d’Aiglet’s hit points were reduced to zero by an attack on his right arm, there is a chance that he will suffer a more serious or lasting injury (4.8 Recuperation). His roll is 15; he will end up with a bad scar on his arm to remind him of the fight in the inn.
Louvigny stares dumbfounded at Ferusac, and at the nobleman lying on the floor. "That was – " he begins, but Ferusac cuts him short. “Not now,” the Gascon mutters. He grabs a cloth from the bar and loosens the strings on his jerkin. “Are you hurt?” he asks.

As the excitement of the moment fades, Louvigny feels his wounds, a dull ache in his groin and abdomen, the cut on his chest, and a pounding in his temples. “Yes – I mean, not badly,” he replies. “You were shot?”

Ferusac nods. “A scratch,” he replies. "That one – " he nods at André " – got me pretty good with that deer-splitter of his." He grimaces as packs the wound with the wine-soaked bar rag. “And I think he may have cracked a rib.”

“A surgeon – " Louvigny begins, but again Ferusac cuts him off. “No time,” he replies. Moving slowly, the Gascon shuffles to where d’Agilet lies on the floor. He places his hand on the nobleman’s chest. “Still breathing,” Ferusac murmurs, then glances at Louvigny. “Did you kill your man there?”

“Yes, maybe – I don’t know,” Louvigny replies, looking hastily at where the groom lies on the floor of the inn.

Ferusac recovers his sword, cleaning the blade on the nobleman’s velvet doublet. He takes d’Aiglet’s scarlet hat, tears off a long white plume, and sweeps the coins and cards off the table into it. Next he reaches inside d’Aiglet’s doublet, removing a silk purse filled with jingling silver, and tucks it inside his own jerkin. Finally, he removes a glittering diamond ring from the nobleman’s pinky.

The Gascon turns to the innkeeper, standing in the shadows, his wine-spattered apron still twisted in his hands. Ferusac leans in close to the trembling host, and holds the ring under his nose. “For your trouble,” he growls, his eyes fierce. The innkeeper reaches for the ring, but Ferusac pulls it back quickly. “Should anyone inquire, we are heading west, toward Bourdeaux. You heard us talking about a ship for Spain. Do you understand?” The innkeeper nods quickly. Ferusac presses the ring into the man’s palm firmly. “If I find out you said anything else, I will be back,” he rumbles, his breath warm on the innkeeper’s rosy cheeks.

“Let’s go,” Ferusac says to Louvigny, stopping to take d’Aiglet’s sword as well.

Crossing the inn’s muddy courtyard, the rain seems to be growing worse, Louvigny notes sourly. Inside the stable, they quickly saddle their horses. “You robbed a gentleman,” Louvigny blurts out.

“You disapprove, chevalier?” Ferusac replies as he slowly, painfully eases himself into the saddle. Louvigny frowns – the only time Ferusac uses his title is when he’s mocking the young knight.

“The coins on the table, yes, I understand. But his ring?” Louvigny asks as they ride out of the stable into the downpour.

“The innkeeper would take it anyway once we left,” Ferusac replies, raising his voice slightly over the rain splattering their hats and horses, “and accuse us of stealing it. He’ll still blame us for it either way, but now we may have bought some time with it.”

Louvigny says nothing for a time. The only sound is the splash of the horses hooves in the mud. Finally he speaks up again.

“Ferusac, were you cheating?”

The Gascon’s face is hidden in the shadow of his hat.

“Just ride, chevalier.”

Monday, May 13, 2024

The Heraldry Skill in Flashing Blades

The Heraldry skill in Flashing Blades is a Bonus Skill for Nobleman characters, costing one (1) Skill Point during character creation; Heraldry doesn't appear on the skill list of any other backgrounds, so a character without the Nobleman background must spend three (3) points at character creation to acquire it (FB core rules, page 5).
HERALDRY
This skill indicates a thorough knowledge of noble genealogies and coats-of-arms. Characters with this skill will be able to identify high nobility and members of the royal family, trace their family histories, and recognize their crests and seals. Noble families of other nationalities will be more difficult to recognize than domestic nobility. (3.4 USING SKILLS, FB core rules, page 7)
Heraldry appears two more times in the core rules, first in the ranks and positions rules for bureaucrats, as a gatekeeper skill.
Chancellor (requires Heraldry and Etiquette skills, roll 9 or more to receive; +1 if Social Rank is 16 or above, +1 for having been a Provincial Governor, +1 for having been an Ambassador). The Chancellor looks after the bureaucracy and paperwork of the Royal Court. (5.53 Ranks and Positions in the Bureaucracy, FB core rules, page 33)
Heraldry is also a gatekeeper skill for the position of Herald in the rules for minor jobs (5.103 Minor Jobs, FB core rules, page 39), for which a character earns 20 livres per month of employment. With a potential salary of up to 120 livres annually, the "minor job" of Herald earns more than a number of positions in other careers, with the caveat of requiring year-round employment, and is tied for the highest paying minor job with Gunsmith and Apothecary.

The Heraldry skill appears in a number of adventures, as a means of identifying non-player characters by their arms or revealing some bit of background detail.
Another personality whom the player characters may meet at Tavern Brevage Noir is Baron Jean-Paul De Gilloir, a debauched nobleman with a passion for gambling. Any character with Heraldry skill who makes a successful roll against Wit (+1) will recognize him as the same man who gambled away his family fortune and estate, and who has recently taken up with ruffians and petty villains of the Paris underworld. ("Tavern Brevage Noir," Flashing Blades Introductory Adventures, pages 3-4)
Any character with Heraldry or History skill may roll against his Wit (+2 modifier) to call up information about the Archduke DeMainz. ("The Man Behind the Mask," FB Intro Adv, page 5)
The fourth man also arrives in a carriage, this one with the coat-of-arms of a Baron. He is incredibly fat and his clothes, while quite expensive and fashionable, are in a state of disarray. Any character with Heraldry skill who makes a successful Wit roll (+1) will recognize this man as the Baron De Gras, a wealthy but debauched noble. ("Monsieur Le Droit’s Secret," FB Into Adv, page 11)
There are nine additional instances of skill checks (four in Parisian Adventure, three in The Cardinal's Peril, one in An Ambassador's Tales, and one in High Seas) which are functionally the same as these. Three non-player characters (two in An Ambassador's Tales, one in High Seas) possess the Heraldry skill in the published adventures.

In my actual play experience with FB, many players choose the Heraldry skill for their Nobleman characters due to the low cost in skill points and because recognizing arms and knowing details about other nobles is really part and parcel of playing a nobleman; it's usually taken along with Etiquette, which is also a Bonus Skill for Nobleman characters - two points for two background- and genre-appropriate skills, as the rules intend. Heraldry's also a means for supplementing a noble character's income when the rewards of adventure don't quite make ends meet.

I think there's more here.

Let's look at the history of heraldic arms in Ancien Régime (pre-revolutionary) France. First, unlike the United Kingdom, coats of arms were in no way restricted to the nobility; anyone who wanted arms could have them. In fact, the Parlement of Paris - a high court, not a legislative body - refused to register royal edicts limiting access in 1556 and again in 1663. In practice this meant that families and corporations - private, public, or civic, like a city - could have a coat of arms if they wanted. This extends the reach of Heraldry as a skill well beyond "high nobility and members of the royal family" to chartered trading companies, bourgeoisie families, or small market towns. Heraldic arms are also used by members of the Church; an appearance of the Heraldry skill in the published adventures reads, "A Player-Character who wakes his Wit roll (+2 for Heraldry) will recognize the insignia of the Archbishop of Paris on the offending vehicle, as it passes out of sight" ("Scavenger Hunt," Parisian Adventure, page 27). Gentlemen's clubs and orders of knighthood should display their own arms as well.

Given the extant to which coats of arms are available, their display should be commonplace in a 17th century French setting. Arms as architectural details should be everywhere, not just chateaus or townhouses of the nobility. A chamber of commerce (la chambre des marchands) might display heraldic banners of its wealthy merchant members; the arms of church benefactors may be carved into the woodwork of a choir stall. Heraldic arms can be used to reveal history: chiseled into the stone lintels of the baron de Bauchery's chateau are the arms of the comte de Bonair - how did the baron come to possess the courtly count's castle? Perhaps club members wear ceremonial tabards emblazoned with the club's arms during rites such as initiation or processions. Arms may appear on crockery or in pewter - plates, mugs - in stained glass, and in paintings and statuary. Books were often sponsored by and dedicated to noble patrons and their arms may appear as a frontispiece.

One of the most important applications of arms is the seal. Seals impressed into wax are used as authentication not just for letters and royal edicts but for contracts, deeds, and other legal instruments. For example the incorporation documents of a chartered company will include a row of wax seals suspended from the parchment by a ribbon or ribbons, indicating the parties to the agreement, including the king's agent and the lawyers who represent ownership.

With the ubiquity and significance of heraldic devices in l'Ancien Régime, one might expect the occupation of herald (héraut d'armes) to be closely regulated and highly regarded. A French college of heralds was created by King Charles VI in 1407, decades before the English College of Arms. The college of heralds was established with four grades:
  • le poursuivant d'armes - "chaser" or apprentice herald
  • le héraut - herald, a journeyman
  • le maréchal d'armes - marshal of armes, a master
  • le roi d'armes - king of arms, a grandmaster of the college of heralds, initially twelve in number
  • The college was given space at the convent of Saint Anthony - Le Petit Saint-Antoine - in Paris to meet and keep a library of armorials. At the time, heraldry played an important role in battle, identifying who was on the field, and at tournaments, announcing the contestants. One of the early duties of heralds, wearing their distinctive tabards, was to act as a messenger between army commanders, for which they were afforded privileges and safe passage similar to those of diplomats. The absence of limitations on who could bear heraldic arms proved to be a problem several kings tried to address, first and foremost to prevent "the usurpation of arms" by commoners - one of the roles of heralds was to insure that arms were not duplicated. However, the efforts of Charles VI and his successors to more closely regulate the use of coats of arms in France were of limited success, in no small part by their ubiquity.

    By the 17th century of our little game, heralds are, while not exactly in disrepute, of diminished status, associated in part with the rise of a professional army of standing regiments. In 1615, King Louis XIII will incorporate the college of heralds as part of the royal household under the responsibility of le grand écuyer - the grand squire of France - and create a juge général d'armes de France for prosecuting the usurpation of arms by commoners; as with his forebears, he will achieve limited success and the role of heralds becomes largely ceremonial. King Louis XIV will attempt, without success, to restrict the use of coats of arms by those not enobled, and will only succeed in adopting a fee for the use of heraldic arms for a little more than a decade after 1696.

    So, what does all of this mean in terms of playing Flashing Blades?

    While herald as a profession may be diminished, heraldic arms, as noted earlier, are still very common and should be a regular feature of the setting. The Heraldry skill synergizes well with other skills: Oratory and Etiquette as a noble's, bishop's, or council of aldermen's master of ceremonies, Magistracy for identifying seals on a contract or discerning the finer points of Salic laws of succession, History for working as a chronicler for a noble or royal order, Forgery for producing convincing fakes. A spy needs more than Espionage and Disguise; without Heraldry as a skill, they may miss crucial intelligence.

    One aspect of a herald's job isn't touched on at all in the rules as written: producing coats of arms. Heraldry implies a level of artistic skill; an apprentice herald - un poursuivant d'armes - will likely spend most of their time creating arms for clients and preparing armorials - books cataloging coats of arms - under the supervision of a herald or marshal of arms. In fact, one could make an actual career path for heralds: three years as an apprentice (Social Rank 4) before becoming a herald (Social Rank 6), marshal of arms (Social Rank 8) on becoming a Master of the Heraldry skill, a king of arms (Social Rank 10) - opening on a 10+, promotion on 9+ - if a Master Superior in the Heraldry skill.

    Lastly, one more historical note creates a fascinating option for a swashbuckling character: early heralds were not noble at all - they came from the ranks of jongleurs and jesters, street perfomers. Imagine a 17th century version of Paul Bettany's Geoffrey Chaucer from A Knight's Tale, the perfect wisecracking second to a gentilhomme or noble duelist . . .

    Wednesday, May 8, 2024

    Soldiers' Kit

    Ralphus at Wars of Louis Quatorze shares the upcoming release of a new book, Soldiers' Clothing of the Early 17th Century: Britain and Western Europe, 1618-1660:
    Soldiers’ Clothing of the Early 17th Century is a comprehensive study of the clothing worn by soldiers during the Thirty Years War and the British Civil Wars. The book delves into the changing fashion trends of soldiers' clothing during the early seventeenth century, with detailed chapters on various items of clothing, the contracts and supply system, and challenges the idea that there was no uniformity at the beginning of the century.

    There have been books written about military clothing during the early seventeenth century before, but never in this detail. This book is the result of over 30 years of research in the archives of record offices and libraries, recording minute details of clothing and coat colors. By examining thousands of archives and pamphlets, it challenges the idea that there was no uniformity within regiments or companies at the beginning of the century. Hundreds of contemporary illustrations, paintings and even surviving items of clothing were consulted to discover the soldiers' appearance.
    This is definitely going on the Captain's Bookshelf - that bit about "contracts and [the] supply system" sold me, 'cause that's just the kind of detail that I like to turn into a scenario. Here's the Amazon link for pre-order, if that's your thing.

    Tuesday, May 7, 2024

    Sworn Vengeance

    I really don't like projecting conflict into a campaign during character creation.

    I am a hard-core Develop-in-Play sorta gamer who favors minimal backstory and maximal goals to create friction in actual play. I want to make allies and rivals and secrets at the table, not noodling around with my character sheet.

    I recognize I'm also, outside of certain circles, an outlier in this, a rather antiquated exception to the rule.

    By the early Eighties, as I remember it, creating a character backstory complete with motives for adventuring and conflicts enmeshing the adventurer before the first die is rolled in anger was already becoming the normative expectation in tabletop roleplaying, and Flashing Blades was no exception to this.
    To add more color to the game, characters may have various special advantages and personal secrets. These are designed to allow many typical swashbuckling adventure themes to come into play. - "3.6 ADVANTAGES AND SECRETS," Flashing Blades core rules, page 9
    An FB character could begin the game with a Contact or a Secret Loyalty, a Double or a blackmailer, a noble Title or a compulsive gambling habit. Mark Pettigrew wasn't wrong: these are indeed "typical swashbuckling adventure themes," and if my own preference is to let these come about in actual play, his approach in FB is reasonably restrained: most Advantages and Secrets are a resource to be utilized - Favor, Wealth, frex - or a trait embodied by the character - Don Juan, Code of Honor - useful for pursuing goals or for generating the aforementioned friction, rather than an outright conflict involving the player character.

    Now, Blackmailed was an exception to this, postulating an existing and on-going conflict. So was Sworn Vengeance. Few of the players with whom I played over the years took Blackmailed, but more than a few chose Sworn Vengeance.

    Which is hardly surprising.
    Inigo: My father was slaughtered by a six-fingered man. He was a great swordmaker, my father. When the six-fingered man appeared and requested a special sword, my father took the job. He slaved a year before it was done.

    The Man in Black: I've never seen its equal.

    Inigo: The six-fingered man returned and demanded it, but at one-tenth his promised price. My father refused. Without a word, the six-fingered man slashed him through the heart. I loved my father. So naturally, I challenged his murderer to a duel. I failed. The six-fingered man left me alive, but he gave me these.
    [strokes the scars on his cheeks]

    The Man in Black: How old were you?

    Inigo Montoya: I was eleven years old. And when I was strong enough, I dedicated my life to the study of fencing. So the next time we meet, I will not fail. I will go up to the six-fingered man and say, "Hello. My name is Inigo Montoya. You killed my father. Prepare to die."
    In my experience, for most players Sworn Venegeance was almost always expected to lead to a Duel to the Death.

    Which honestly, to me, is kinda boring.

    Vengeance as a motivation for dueling is expected in swashbuckling games and stories, of course; Honor + Intrigue includes Vengeance in the suggested list of potential character Motivations ("Motivation," H+I, page 17) tagged to gain Fortune Points, which are used as a metacurrency for various character abilities. But vengeance can be so much more than an excuse to cross steel - this becomes particularly relevant in a game like Flashing Blades where the adventurers may embark on careers granting them vast temporal power in the setting.

    So my advice is, be Terry Benedict.
    Linus: The last guy they caught cheating in here? Benedict not only sent him up for 10 years, he had the bank seize his house and then he bankrupted. . .

    Rusty: . . . his brother-in-law's tractor dealership. Yeah, I heard.

    Linus: He doesn't just take out your knees. The guy goes after your livelihood and the livelihood of anybody you ever met.

    - Ocean's Eleven
    'cause Terry Benedict, well . . .
    Reuben: This sort of thing used to be civilized. You'd hit a guy, he'd whack you, done. But with Benedict . . . at the end of this, he'd better not know you're involved, not know your names or think you're dead, because he'll kill ya, and THEN he'll go to work on ya.
    - Ocean's Eleven
    What I'm saying is this: if you make vengeance one of your character secrets or motivations, stop thinking in terms of The Duel and start thinking of Humiliations Galore! Make your vengeance a wellspring of friction.

    For starters, consider that tractor dealership. The object of your vengeance derives part of their income from smuggling? Rob their smugglers. Burn down their warehouse. Pirate their ship. Or if you're one of those honorable sorts, present the evidence of their misdeeds to an equally honorable magistrate - and collecting that evidence may involve sneaking into that warehouse for goods and ledgers instead of burning it down, and taking the logbook before the pirate sails away with their ship.

    In a swashbuckling setting, the best villains may be out of reach of your character, socially and even physically. The Scheming Prelate is surrounded 24/7 by some of the best guards in the realm, but they also have a clientele of supporters and lackeys, so go to work on them first. Get the goods on one of their allies and blackmail them, or simply expose them to calumny. Seduce your rival's lover - seduce their sibling, hell, seduce their MOTHER! If you can't duel the object of your character's venegeance directly, then fight their lackeys, their right-hands - the real ending of Road House isn't Dalton fighting Wesley and his henchmen, it's Dalton fighting Jimmy, the "captain" of Wesley's "guard," then dragging Jimmy's body into the river and floating it downstream to Wesley. Everything after that is just tidying up loose ends.

    Use your character's power in the setting - again, this is another singular strength of Flashing Blades. Use your character's influence as a clergyman to sway public opinion about your rival - and if you're a Bishop or a Cardinal, EXCOMMUNICATE a few of their followers! If your character is a Magistrate, toss someone in jail, and if you're a City Mayor or a Provincial Governor, what's the point of having troops at your beck and call if you can't use them to knock down a door and drag someone off? And never forget the awesome powers of the Royal Ministers: prison, assasination, reducing Social Rank - seriously, ruining them at court could be worse than sticking a handspan of steel in their guts. If you don't want to be Terry Benedict, then be Khan instead.
    Khan: I've done far worse than kill you, Admiral. I've hurt you. And I wish to go on hurting you.
    - Star Trek II: The Wrath of Khan
    What this comes down to is, in choosing an object for your vengeance, give your vengeance breadth. Make killing the six-fingered man secondary to bringing down the entire bloody-handed House of Rugen. Their titles, their lands, their offices, their place in society all become fair game for the truly vengeful. In this you can generate a campaign's worth of friction and swashbuckling action galore!

    Friday, May 3, 2024

    Les Trousseaux: Skill-Based Starting Equipment for Flashing Blades

    I like equipping my characters.

    Selecting character gear and accoutrements is way of exploring the material culture of the game-world, and collecting memorabilia - trophies, souvenirs - becomes a way of telling my character's story as the game progresses.

    Inspired by Warhammer Fantasy Roleplaying, one of the house rules I adopted for my Flashing Blades campaign years ago is that player characters receive certain items based on the character's starting background. The French Wars of Religion jeu de rôle Te Deum pour un massacre does this as well, and adds an interesting twist by adding an item for skills possessed by the character. I decided to add to my earlier house rule with one based on Te Deum . . . .

    Starting characters receive the following items in accordance with their skills. Characters may also acquire these items in the process of learning new skills, at the Gamemaster's discretion.

    Skill Item
    Acrobatics A grapnel and 10 m of rope
    Artillery Artillerists’ charts and tables
    Banking A set of scales and weights and a counting board
    Bargaining 1D6 bottles of good brandy
    Bribery A bag of 30 pistoles
    Bureaucratics A book of collected royal edicts
    Captaincy A white silk sash and a silver-gilt baton
    Carousing 1D6 bottles of Anjou wine
    Chemist A copper alembic, a crucible, and a mortar and pestle
    Cut Purse A billon coin with a sharpened edge
    Disguise A costume
    Espionage A cipher disk
    Etiquette A pair of dancing shoes and a mouchoir
    Fine Manipulation A clockmaker's tool kit
    Forgery Copies of royal writs and official missives
    Gambling A deck of marked cards and a pair of loaded dice
    Gunnery A firesteel striker and a length of slow match
    Heraldry An armorial
    History A copy of Mémoires sur les Gaules
    Horsemanship A riding crop and a training whip
    Literacy A copy of Grammaire et syntaxe françoise, Introductiones latinae, or a similar grammar for another language
    Magistracy A copy of Coutume de Paris or Corpus Juris Civilis
    Oratory A translation of Cicero's De l'Orateur
    Pilot Two lanterns and navigators’ instuments (cross-staff, astrolabe, tables and charts)
    Seamanship A marlinspike and a kerchief
    Seduction 1D6 bottles of perfume
    Stealth A pair of turnshoes and a dark hooded cloak
    Strategy An carved ivory chess set
    Theology A psalter
    Tracking A magnifying lens and 2D6 small wooden pins

    Wednesday, May 1, 2024

    On the Waterfront: Random Encounter Tables for High Seas

    The Flashing Blades maritime supplement High Seas introduces six additional character backgrounds - colonial versions of the Rogue, Gentleman, and Soldier plus three new backgrounds, Marine, Sailor, and Pirate - as well as numerous new ranks, such as Gunner's Mate, Sailmaster, Ship's Pilot, or First Mate. HS also includes an encounter table for encounters at sea, aimed primarily at the waters on either side of the Atlantic Ocean; I took it upon myself awhile back to create a table specific to the Mediterranean Sea.

    While High Seas covers encounters at sea, there are no new tables to add encounters ashore incorporating the introduced backgrounds, so I took that on myself to remedy.

    Encounter Tables


    Roll (d20) Encounter on a Quay
    1 1D6 Sailors
    2 1D6 Smugglers
    3 A Merchant Captain (a possible Patron)
    4 1D6 Merchants
    5 A Wealthy Ship Owner (a possible Patron)
    6 1D6 Dockworkers
    7 1D6 Fishermen
    8 A Wealthy Merchant (a possible Patron)
    9 1D6 Marines
    10 A Knight-Captain and 2 Chevaliers
    11 An Investor and 1D6 Clerks (a possible Patron)
    12 A Food Seller and her handcart
    13 A Cartographer
    14 A Warship Officer (a possible Patron)
    15 1D6 Sailors
    16 1D6 Boatmen
    17 A Ship Chandler
    18 1D6 City Guards
    19 A Magistrate an 1D6 Lawyers
    20 1D6 Pirates

    Roll (d20) Encounter in a Port Tavern
    1 A Barmaid
    2 1-3 Merchant Officers carousing
    3 1-3 Dockworkers
    4 1-3 Sailors
    5 A Wealthy Merchant Captain (a possible Patron)
    6 1-3 Gamblers
    7 A Knight-Captain and 2 Chevaliers (a possible Patron)
    8 A Disguised Nobleman (a possible Patron)
    9 A Pickpocket
    10 A Master Gambler
    11 A Master Gambler who cheats
    12 A Rowdy (brawler)
    13 1-3 Rowdies (brawlers)
    14 1D6 Rowdies (brawlers)
    15 1-3 Marines
    16 A Warship Officer (a possible Patron)
    17 A Drunk
    18 A Ship Owner (a possible Patron)
    19 The Tavernkeeper or Manager (a possible Patron)
    20 A Smuggler (a possible Patron)

    Notes -
    • "A Knight-Captain and 2 Chevaliers" may represent knights of one of the military orders active against the Barbary corsairs or the Sallee Rovers, such as the Holy Order of Saint John of Jerusalem - the Knights of St, John, based on Malta - or the Order of San Stefano, based in Tuscany.
    • Hopefully most of the occupations are self-explanatory, but here're a couple of notes just in case: "Boatmen" are the boatswain (or bo's'n) and oarsmen of what High Seas calls a jolly boat; "Ship Chandler" is a merchant who specializes in supplies for ships, everything from ropes and sailcloth to pitch and varnish.
    • These tables, like the ones in the Flashing Blades core rules, provide the opportunity to flex the referee's creativity; frex, consider that a "Rowdy" or a "Drunk" could be a sailor, a pirate, a dockworker, a smuggler, a marine, a boatman, a rake, a plantation owner, a rogue, and on and on.

    I know to a lot of gamers these and the Flashing Blades encounter tables on which they're based are thin to the point of emaciated, but I love how much they leave to interpretation and personalization. It's rare for me to find a commercial product that I can plug'n'play, so inspiration is much more important to me, particularly given the way I like to use the FB encounter tables.

    Monday, April 29, 2024

    Carousing

    These quick and dirty carousing rules are reminiscent of En Garde! and fit in very well with the notion of campaign turns.

    Bringing Out the Big Guns

    Cannons, anyone?

    I really appreciate the level of detail that went into selecting the different cannons included in this blogpost.